November 5, 2017
Looks like book #3 is going to be titled The Crooked Staircase and is scheduled to be released on 8 May 2018.
Jane Hawk—who dazzled readers in The Silent Corner and The Whispering Room—faces the fight of her life, against the threat of a lifetime in this electrifying new thriller by #1 New York Times bestselling suspense master Dean Koontz.
“I could be dead tomorrow. Or something worse than dead.”
Jane Hawk knows she may be living on borrowed time. But as long as she’s breathing, she’ll never cease her one-woman war against the terrifying conspiracy that threatens the freedom—and free will—of millions. Battling the strange epidemic of murder-suicides that claimed Jane’s husband, and is escalating across the country, has made the rogue FBI agent a wanted fugitive, relentlessly hunted not only by the government but by the secret cabal behind the plot. Deploying every resource their malign nexus of power and technology commands, Jane’s enemies are determined to see her dead . . . or make her wish she was.
Jane’s ruthless pursuers can’t stop her from drawing a bead on her prey: a cunning man with connections in high places, a twisted soul of unspeakable depths with an army of professional killers on call. Propelled by her righteous fury and implacable insistence on justice, Jane will make her way from southern California to the snow-swept slopes of Lake Tahoe to confront head-on the lethal forces arrayed against her. But nothing can prepare her for the chilling truth that awaits when she descends the crooked staircase to the dark and dreadful place where her long nightmare was born.
November 5, 2017
Click the cover to request your eARC from NetGalley.
New to NetGalley? No problem! Just sign up for a reviewer or media professional account using the email that received this message. NetGalley delivers secure electronic review copies to many devices, including Kindles, Nooks, iPads, PCs and more—make sure to check out the handy FAQ before you download, but if you have any troubleshooting questions, feel free to contact me directly or email [email protected].
[Side note: The original eARC from NetGalley has the original cover. They’ve since updated it to have the new cover.]
November 2, 2017
I recently received a CD containing what ended up being a 1.5″-high pile of pages of Koontz-related material from a super wonderful person who’s gone above and beyond to help me with this project. (I’m only being non-specific so people don’t just start contacting them for their own set.)
Anything of interest I find (starting with the the page on the top of the pile) will be added to the finished product. Of which, news should be coming relatively soon.
October 30, 2017
October 25, 2017
DC: When you world-premiered Leatherface at FrightFest, it was the same weekend Tobe Hooper [the director of the 1974 Texas Chain Saw Massacre] passed away. Did he at least get to see your film at some point?
JM: No. We learnt that he passed away the day before the first screening of Leatherface. So it really was a shock for us and especially because we didn’t have the chance to meet him or even talk to him. His name is on the credits, but it is just contractual and because he created the characters with Kim Henkel. Honestly, it was very disappointing for us, because when we accepted this project, we hoped to meet him and to hear his take on the story and all the sequels and how he felt about that and maybe ask some advice from him. So we were really saddened and disappointed, yes. He’s someone that really changed our lives, as an audience and as a director later. We love his career. We even tried to propose a remake of Funhouse. I remember we had this conversation with an executive from Universal, just saying that we would love to do that movie, being a prequel of the movie and being inspired by the novel by Dean Koontz. I remember the executive at that time said ‘Ah fellows, interesting, I’ve never seen this one.’ And we were like ‘Okay you know it’s in your catalogue and you own the rights.’ He said, ‘Ah really!? Cool!’ (laughs) So it didn’t happen, whatever. But yeah, we were very, very saddened about Tobe’s passing.
Read the full article @ Dread Central.
October 22, 2017
Yesterday’s mail brought me a copy of The St. Louis Bug, a four-page b&w comic by Dean’s friend Vaughn Bodé, published in 1969 w/ a copyright of 1968.
On page four is this guy:
Recognize him? Where have you seen him before?
The first person to comment below (in this blog post, not on Facebook, Twitter, or any other platform) with the correct answer (be as specific as possible) will win a prize of their choosing from a pile of random Koontz items I have laying around.
Let the searching begin!
October 20, 2017
The Charnel House Numbered Edition
Crafted by hand and signed by the author
250 Numbered copies, bound in Japanese silk jacquard
The Charnel House Lettered Edition
Crafted by hand and signed by the author
26 Lettered copies, bound in full Morocco leather in the color(s) of your choice and stamped in 22kt gold
Available in choice of 4 colors: Hunter Green, Crimson, Chocolate, and Black
October 3, 2017
Click through to per-order via Amazon.
October 2, 2017
September 13, 2017
This arrived in today’s mail…
The same day that Dean’s Facebook page announced this is will now be the cover of the book when it’s released.
I must admit this is the first cover change post-ARC that I’ve ever experienced. I’m sure it’s happened before to some book somewhere but it’s definitely rare.
September 5, 2017
Early in August my wife and I took an epic road trip from Nebraska to New York, to New Jersey, to Pennsylvania, to Missouri then back home. Along the way we met old friends, possibly got filmed as part of a reality TV show, and did a lot of quilt and book shopping.
When cruising through Pennsylvania, I wondered out loud where Shippensburg, PA was knowing full well that the university library there had copies of The Reflector in their archives containing Dean’s earliest published works. My wife looked it up and she said it was about 30 minutes away. What I thought she meant was it was 30 minutes off our route which would add an hour of travel time (plus the time spent at the university) to our trip and at this point of the trip I wasn’t looking to extend my driving that much. No, she corrected me, it’s about 30 minutes ahead of us on our current route, and just 10 miles off the highway. Well, that changed everything!
Next up was a call to a long-time acquaintance of mine, a fellow librarian on the campus. (Turns out he’d recently become the head of the library. Yes folks, personal networks come in handy.) He have us directions and made it to campus a short while later.
Our first stop was in the university archives to check out issues of The Reflector. I’ve had photocopies of Dean’s content for years, but to actually hold the issues in hand was a bit of an experience.
The next step was to verify something I’d already suspected. Dean did appear in the 1964 campus yearbook (I own a copy) but I did not know if he appeared in the ’65, ’66’ or ’67 (just for good measure) yearbooks. Those were brought out for me and I got to take a look. Theory confirmed, he’s not in there.
I was then asked if I wanted to see the Koontz items in special collections. I believe my response was literally “duh.” Turns out the library created the “Dean R. Koontz” collection a few years back containing the personal collection of OI. Richard Forsythe, Dean’s favorite English professor from his time on campus.
The library also kept material from a display put up for when Dean was back on campus years ago to give a talk. (I forgot to ask what year that was when I was there.) Here’s just one of the pieces from that display.
As if this visit hadn’t been exciting enough, I was then asked if I wanted to see the box of correspondence and other things. At this point I was pretty much babbling. Again here’s just a sample of the content of that box:
Like I said, the photos here are just a sample of what they had. I took many more, but I’m saving those for later. Needless to say, this happy accident was amazing and the staff of the library were nothing short of gracious, helpful, and understanding of my excitement especially Melanie Reed who I look forward to working with the future regarding their collection.
August 27, 2017
Filmmaker Tobe Hooper, best known for The Texas Chain Saw Massacre, has died, according to Variety and other news sources. He was 74.
Born in Austin, Texas, Hooper made his first feature, Eggshells, in 1969, an odd, experimental film that is allegorical and, more than that, spacey and trippy. But it was The Texas Chain Saw Massacre that made him (in)famous. Long before I saw it, I remember reading a newspaper article in Los Angeles about a big, tough college football player who vomited during a screening and thought: ‘that’s a movie for me!’
Its horrors, of course, were more shocking in contrast to its era. Even as Hollywood was becoming (briefly) more serious about redefining mainstream filmmaking, Hooper and his colleagues painted a disarming picture about a house in rural Texas that looked bucolic on the outside, hiding truly unimaginable horrors within.
The film became a sensation and a foundation for horror movies to come. Hooper never escaped its shadow, but neither did Orson Welles escape the shadow of Citizen Kane, so it was not entirely a bad thing. Eaten Alive was a charming crudity about another hungry killing thing, Salem’s Lot was an acceptable if rudimentary TV version of Stephen King’s novel, and The Funhouse was a solid slasher.
Read the full article @ Screen Anarchy.
July 23, 2017
Koontz, Dean “The Whispering Room: A Jane Hawk Novel”
Previous estimated arrival date: January 09, 2018
New estimated arrival date: November 21, 2017
July 20, 2017
I’ve posted various images of my collection on this blog over the years, and if you head on over to the project’s Facebook page you can find photos of pretty much everything in the collection; 2,000+ items.
However, I don’t general talk about the behind-the-scenes items; the archives & the research. Well, here’s some photos of relevant shelves, piles, and boxes in my home office just to give you some idea of what has, and will go, into this multi-decade project.
This obviously is just a small part of the whole, but it’s a peek behind the scenes that pretty much one one’s ever seen outside of immediate friends and family.
If you’ve got a question about any of it, just leave a comment and I’ll do my best to clarify.
July 9, 2017
July 2, 2017
Some news & a correction:
According to Charnel House:
“Both states of BLACK RIVER, I’ll Be Watching Over You by Dean Koontz have been shipped. When Dean ends this series of novellas and novelettes Charnel House will issue a slipcase to house the entire series. There are few copies remaining of this title still available for purchase. Order now to own the first book of this series, you can then retain your number for the series.”
Shown right are my numbered edition and a friend’s lettered.
Regarding the lettered edition, my friend isn’t all that happy with it…
“Lettered Black River. . .MASSIVE disappointment. I paid $900 for this, it’s bound in 3/4 leather but otherwise identical to the numbered, no traycase, no slipcase even, no bonus material, nothing. It probably didn’t cost them much more to make and he’s charging $900 per copy.”
I only have a few Charnel House lettered edition personally, mostly due to cost, but I’ve been happy with every one of them. In this case, I might have to agree.
Lastly, the correction:
Black River: I’ll Be Watching Over You is not a sequel to the original “Black River” novella from 1999, it is “Black River” just re-titled. The future novellas in this series will be the sequels.
June 23, 2017
June 23, 2017
Today I received my autographed copy of The Silent Corner from Barnes & Noble. Like previously autographed B&N copies, this one is a typical trade hardcover edition with a tipped-in autograph page and a different ISBN on the dust jacket; 9781101966198 in this case.
But, when I went to verify that, as with previous editions of this type, the ISBN on the copyright page is the same as the standard trade hardcover(9780345545992) I was in for a bit of a shock…
The first page after the autograph sheet is page 423, not a half title, full title, or copyright page. Continuing to flip through the book I found pages 424-452 then the “About the author” page. Next up: page 23 through the correctly placed pages 423-452 & “About the author.”
What it looks like is that the first signature has been accidentally replaced with the last signature; a total mis-binding of pages. (Please click on the link on the first “signature” in this paragraph if you’re not familiar with this term from the book binding world since what I don’t mean in this case is an autograph.)
In the end, I’ve ordered another copy and here’s hoping that this is a one-off and not something that was carried through a whole print run.
Of course, if anyone else has a copy like this, I’d love to know about it.
May 23, 2017
May 10, 2017